P R E S E N T —
Whether it’s helping engineer a show or create a piece of music from scratch, I have 20 years of experience in New York City as a composer/producer and audio tech. I’ve worked everything from DIY punk shows up to high-stakes corporate events and major museum theaters. I am currently looking for work in Berlin, Germany, where I’ve just relocated; however, I am open to touring and working remotely.
Occasionally composing/producing for avant-pop-noir project FLOSSING. Ironing board (noise/textures) with Martin Bisi. Experimental improvisations, scores, and compositions for Please No Radio.
P A S T —
Audio/Visual Tech at The Museum of Modern Art and The Whitney Museum of American Art. Live sound engineer at Elsewhere.
Ironing board (noise/textures) for Weeping Icon (2023-2026).
Bass spots, remixes, sound design — La Mer, Chandeen, Shilpa Ray, CLT DRP, Cuneiform, Devin Person
Live engineering — Suzanne Ciani, John Zorn, Viagra Boys, Ellen Allien, Floorplan, Molly Nilsson, LSDXOXO, Alvin Ailey, Laraaji, Shana Moulton, Pamela Z, Hanna Diamond, Hot Chip (DJ), JJJJJerome Ellis, Kai Alcé, Pauli the PSM, Sable Elyse Smith, Vijay Iyer & Wadada Leo Smith, Otobong Nkanga, Tigue
Producer, engineer, and sound designer for the revolutionary feminist podcast Private Life (2021-2023)
Bassist/co-writer of The Wants (2019-2021) and BODEGA (2016-2020)
photo by Michael Todaro
I find only freedom in the realms of eccentricity.
- David Bowie
There are never satisfactory words to convey a piece of music. That is a perpetual frustration.
- David Toop
I have no detectable hair style.
- David Spade